Manuscripts
Eugene Field Original Poems and Letter
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Long Expected One-and-Twenty: satirical poem written on the occasion of the coming of age of his ward Sir John Lade
Manuscripts
Also includes: Samuel Johnson letter to Hester Lynch Piozzi, August 8, 1780 (mssHM 26011); typewritten transcriptions of the poem and letter.
mssHM 2583
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Armenian Lullaby: poem
Manuscripts
Versos of folios 1-3 music of Mr. Gillette in the handwriting of Frank G. Unger; rectos of folios 1-4, title and three leaves with Field's verses, decorated by a Japanese artist with watercolor illustrations. Also bound into volume: letter from Frank G. Unger to Eugene Field, September 7, 1894 (mssHM 19439).
mssHM 19439-19440
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Field, Eugene. Poem beginning "The women folk are few up there…"
Manuscripts
This collection consists of an autograph album containing handwritten notes, letters, poems, and drawings by approximately 200 friends and acquaintances of American author Charles Warren Stoddard, including leading American literary figures, journalists, poets, critics, politicians, and actors of the late 19th century. Among the many notable contributors are Samuel Clemens, Bret Harte, and Joaquin Miller. The earliest item in the book is an 1863 dedication by Thomas Starr King, and continues with contributions primarily from members of San Francisco literary society beginning in the mid-to-late 1860s through the late 1890s, as well as from friends in other locales where Stoddard lived or traveled including Louisville, Kentucky; Washington, D.C.; Massachusetts; New York; and Hawaii. A letter from L.C. Bayles (page 23) introduces lines of verse with the note "in accordance with your request," reflecting Stoddard's curation of the album as a compendium of verse and personal sentiments tailored towards friendships and literary musings. The volume includes two photographs of groups of men and women, captioned, "Riverdale, N.Y., July 4th 1890" (page 116). There are manuscript poems and lines of verse, often penned specifically for Stoddard, from literary friends including Isaac Hull Adams; Daniel Dulany Addison; Benjamin Parke Avery; William Barry; Fred Buel; James F. Bowman; George Burrows; Carrie Carlton; Bliss Carman; Pierre Cauwet; Robert W. Chambers; Sarah M. Clarke; Ada Clare; Katherine E. Conway; Ina D. Coolbrith; R.M. Daggett; Madeleine Vinton Dahlgren; Malcolm Douglas; Theodore F. Dwight; Eugene Field; Hamlin Garland; Grace Greenwood; Bret Harte; Jerome Hart; John Hay; Charles Hinton; Oliver Wendell Holmes Sr.; William Dean Howells; Daniel E. Hudson; Thomas A. Janvier; Tremenheere Johns; Ralph Keeler; George Kennan; Orpheus C. Kerr; Alice Kingsbury (Cooley); Rudyard Kipling; Emilie Lawson; James Linen; Fitz Hugh Ludlow; Adah Isaacs Menken; John Malone; Joaquin Miller; Morton Mitchell and Laddie Mitchell; James Whitcomb Riley; James Jeffrey Roche; Edgar Saltus; Richard Henry Savage; Emma D.E.N. Southworth; Frank Soulé; Bella Z. Spencer; Horatio Stebbins; Maria Longworth Storer (with sketches); J.D. Strong; M.D. Strong; H.A. Stuart; T.R. Sullivan; Bayard Taylor; Charles Wadsworth; Charles Henry Webb; May Wentworth; George Edward Woodberry; and R.C. Wyllie. Prose and letters from L.C. Bayles; Frederick Billings; Ezra S. Carr and his wife, Jeanne C. Smith Carr; Samuel Clemens; Laura Cuppy; G.B. Densmore; Annie Fields; Archibald C. Gunter; Francis King Harte; Louise E. Holden; Jules Luquiens; C.T.H. Palmer; Theodore Roosevelt; Anna Josephin Savage; Rodney L. Tabor; Charles A. Wetmore; Virgil M. Williams; and Thérèse Yelverton. Drawings include ones by Reginald B. Birch; John S. Bugbee; Arthur Lemon; G. Thomas; and Theodore Wores. There are also brief notes and/or signatures of individuals including Charles Francis Adams; Henry Adams; Frances Hodgson Burnett; Ada, Dyas; Louise Imogen Guiney; Iza Duffus Hardy; Clarence King; Francis D. Millet; Thomas Nelson Page; Theodore Roosevelt; Charles Dudley Warner; and Lydia Woodworth. The contents are handwritten on blank pages in an "Album" published by Leavitt & Allen, consisting of 241 pages including an engraved title page and frontispiece and [8] other engraved plates with illustrations by Creswick, W.H. Bartlett, W. Tombleson; J. Smillie and T. Addison Richards; engravings by J. Sartain; J. Bannister; Rawdon, Wright, Hatch & Smillie; J. White; and C.T. Giles. Edges gilt.
mssHM 35075
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Vachel Lindsay poems and ephemera
Manuscripts
Three untitled poems by Vachel Lindsay: two from the fly-leaves of his Bible beginning "It is well to" and "Who cares for the man who is right?" and one from the front of a volume of "Great God Brown" by Eugene O'Neill owned by Lindsay's niece Catharine Wakefield, beginning "The butterflies came in," each with autograph notes by Lindsay's sister Olive Lindsay Wakefield. Also, printed pamphlet celebrating Lindsay including his poem "On the Building of Springfield" with an autograph note from Olive to Norman Corwin on the verso.
mssHM 82027-82030
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Il trionfo d'applausi, e di glorie figurato di purissime lettere di sua altezza reale Maria Anna Christina Vittoria di Baviera Delfina di Francia, nel quale si contengono li seguenti versi, da leggersi nella figura con il microscopion
Manuscripts
A micrographic drawing of Marie Anne Victorie, the Dauphine of France on a horse-drawn chariot surrounded by illustrations of allegorical figures. Images include an angel, a lion with a royal crest, cherubs, and a man symbolizing Hercules. The drawing is formed entirely of microscopic text from an accompanying volume containing 221 folios of an Italian poem by Ignatio Francesco Muligin honoring the Dauphine. The drawing's letters are read horizontally with a microscope or magnifying glass. The volume is in contemporary binding of red morroco with gilt spine and edges. Drawing possibly illustrated by Pierre Mignard (1612-1695), and volume bound by Bernard Bernache (active 1684-1721).
mssHM 84368
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Joseph Goldsborough Bruff letter to the "President of the United States" with a poem "To the promoters of disunion,"
Manuscripts
In this letter to the "President of the United States With the Compliments of His very Humble and Obdt. Servant J. Goldsborough Bruff," is a 28-line poem entitled "To the Promoters of Disunion. E. Pluribus Unum. One and inseparable; United we stand, but divided we fall." There is also a 16-line "Invocation" and a sketch by Bruff of a man with a cannon. It is written on a pictorial lettersheet with an image of Washington, D.C. entitled "View of Washington City." The poem is dated 1860, December 10 while a note about the sketch is dated 1860, December 17.
mssHM 72872